John Birks "Dizzy" Gillespie (/ɡɪˈlɛspi/; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, and singer. Gillespie was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge[2] but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality provided some of bebop's most prominent symbols. In the 1940s Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. AllMusic's Scott Yanow wrote: "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time, Gillespie was such a complex player that his contemporaries ended up being similar to those of Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated [....] Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time". From Wikipedia, the free encyclopedia
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Street Gang: How We Got to Sesame Street
Brownie Speaks
Date with Dizzy
The Cosmic Eye
Miles Davis: Birth of the Cool
Jimmy Carter: Rock & Roll President
Jivin' in Bebop
Soundtrack to a Coup d'Etat
El invierno en Lisboa
The Harlem Renaissance
Jazz Legends in Their Own Words
The Hole
The Beginnings of Bebop
Duke Ellington: Love You Madly
Dizzy's Dream Band
A Family Circus Easter
Maurice Baquet, The Accorded
The Jazz Ambassadors
The Last Of The Blue Devils - The Kansas City Jazz Story
Michel Legrand, sans demi-mesure