Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
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Pictures of Europe
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
Birth of a Nation
What Is Cinema?
Je Tu Il Elle
applechedikal
Porto
Delphine and Carole
Seven Women, Seven Sins
Chantal Akerman by Chantal Akerman
News from Home
She Spent So Many Hours Under the Sun Lamps
Sodankylä Forever
The Man with the Suitcase
Mallet-Stevens Street
Letter from a Filmmaker: Chantal Akerman
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
The Beloved Child, or I Play at Being a Married Woman
Chantal Akerman: Always on the Road
I Don't Belong Anywhere: The Cinema of Chantal Akerman