Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
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Chikan densha: Iyarashii kôi
Pink Physical Examination
Hometown Porn Girl 18! Seeding Festival
Tokyo Elegy
Wakazuma Misshitsu Bôkô Jiken
Groper Train: Start at the Back
Cross the Lens
I Stand Alone - SEX & LOVE
Autumn
Female Prisoners: Brutal Treatment
Groper Train: Final Stop
Crying Rope, Missing Black Hair
Young Wife Assault Pervert
Delivery Wife: Get Wet!
Japanscope, panorama de la nouvelle Nouvelle Vague
In The Sea of Trees