Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker. Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio". Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969). She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla. As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).
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Also Known as
Embodiment of Evil
The Monsters of Babaloo
Joy Is the Acid Test
Face To Face
The Priest and the Girl
Light in Darkness: The Return of Red Light Bandit
Baron Olavo, The Horrible
Love Film Festival
Brazilian Cinema in the 20th Century
Poder dos Afetos
O Pátio
The Red Light Bandit
The Long Voyage of the Yellow Bus
Copacabana Mon Amour
Nelson Carneiro: Knight of Democracy
Bring me the Head of Carmen M.
Mulher Oceano
A Man and His Cage
Scent of Gardenias
Sinais de Cinza, A Peleja de Olney Contra o Dragão da Maldade