Aurora Martinez is the perfect example of an empowered woman who managed to create a name for herself from her career as a director. Martínez’s films are produced almost exclusively in Mexico, with dialogue in Spanish and marketed to the Latin American population. Although her productions receive virtually no theatrical release in the United States, they can be found in many U.S. video outlets, both in VHS and DVD format. Martínez’s movies are generally in the action genre, concentrating on such staple themes as feuds between drug traffickers, illegal trade in human organs, and police investigations, and thus they are not of a kind that normally attracts the attention of foreign film critics. The two facts aforesaid likely explain why she is virtually unknown in the English-speaking world, despite her highly prolific output. Martínez appears on screen in many of her movies, though almost never in a leading role. She has often cast Mario Almada in leading roles including, Tijuana, ciudad de narcos in 1998. Her movies tend to portray extreme, explicit violence.
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Por un vestido de novia
Son tus perjúmenes mujer
La muerte del judicial
Bachelor Party
Todo personal
Nada es para siempre
Muerto el perro se acabo la rabia
Me anda buscando la ley por traficante de drogas
Ahogado el niño se tapa el pozo
Ellas asesinas
La zorra millonaria
El regreso de Camelia la Chicana
Death Dealers
Por tu maldito dinero
The Mirror's Reflection
La fuga del penal de Apatzingán
Pueblo sin leyes
Seeing Double
Día de los muertos
Traición con traición se paga